• Frieze London 2024

    Booth A22
  • For Frieze London 2024, Edel Assanti presents new and previously unseen works  by six artists spanning film, painting, photography and sculpture.

  • Gordon Cheung

  • Gordon Cheung, Three Kingdoms (Chengdu), 2024

    Gordon Cheung

    Three Kingdoms (Chengdu), 2024 Financial Times newspaper, archival inkjet, acrylic, and sand on linen
    200 x 150 cm
    78 3/4 x 59 in
  • They are about the rise and fall of civilisations, as well as the romantic language of still-life painting: futile materialism and fragile mortality reflected by the transient beauty of flowers.

     

    Gordon Cheung, Artist 

  • Thornton Dial

  • Thornton Dial, Struggling Picture (Mighty Few Try to Make It to the Top), 1991

    Thornton Dial

    Struggling Picture (Mighty Few Try to Make It to the Top), 1991 Carpet, enamel, Splash Zone compound, metal, and ink on wood
    182.9 x 121.9 x 5.1 cm
    72 x 48 x 2 in
  • From the complex, exuberant textures of his assemblages to the deft, fluid lines of his drawings, Dial’s facility as an artist was truly extraordinary.

     

     

    Sheena Wagstaff, The New York Times

  • Marcin Dudek

  • Marcin Dudek, Head in the Sand I, 2022

    Marcin Dudek

    Head in the Sand I, 2022 Acrylic paint, image transfer, smoke grenade, uv varnish, medical tape on wood and aluminium
    200 x 150 cm
    78 3/4 x 59 in
  • Noémie Goudal

     

  • Noémie Goudal, White Pulse I, 2023

    Noémie Goudal

    White Pulse I, 2023 Inkjet print
    60 x 45.2 cm | 23 5/8 x 17 3/4 in.
    150 x 113 cm | 59 x 44 1/2 in.
    Edition of 5 plus 2 artist's proofs
  • Noémie Goudal, Les Montagnes Attirées par Les Étoiles d'Arezzo, 2023

    Noémie Goudal

    Les Montagnes Attirées par Les Étoiles d'Arezzo, 2023 Porcelain and steel
    31 x 25 x 25 cm
    12 1/4 x 9 7/8 x 9 7/8 in
    Edition 1 of 5 plus 2 artist's proofs
  • For the French artist Noémie Goudal, uncertainty and doubt are key drivers in how we engage with and understand the world. Our shifting perspectives are what really shape our encounters, more so than any solid reality.

     

    Josh Lustig, Financial Times Magazine 

  • Lonnie Holley

  • Lonnie Holley, The Blood Was Forced but the Flag Was Free, 2024

    Lonnie Holley

    The Blood Was Forced but the Flag Was Free, 2024 Acrylic and spray paint on canvas
    150 x 150 cm
    59 x 59 in
  • Lonnie Holley, Keeping the Ancestors Memories Around, 2024

    Lonnie Holley

    Keeping the Ancestors Memories Around, 2024 Brick, copper wire, bottles
    67 x 39 x 22 cm
    26 3/8 x 15 3/8 x 8 5/8 in
  • For decades, artists such as Holley—self-taught and working at a distance from the major art centers (and, until fairly recently, outside the mainstream gallery system)—have largely been sidelined or ignored. Yet the neglect of these works belies their quiet power.

    Daniel Culpan, Artforum

  • Simon Lehner

  • Simon Lehner, Echo chamber II, 2024

    Simon Lehner

    Echo chamber II, 2024 Acrylic on unique wood plate lens-based CNC Painting
    150 x 120 cm
    59 x 47 1/4 in
  • Simon Lehner, Image Basterds XII, 2024

    Simon Lehner

    Image Basterds XII, 2024 Acrylic on unique wood plate lens-based CNC Painting
    90 x 72 cm
    35 3/8 x 28 3/8 in
  • By employing his own private photo archive again and again, Lehner’s works create a strong and simultaneously sensitive tension between technical and cognitive processes, and the deeply personal struggle of grasping one’s own past.

     

    Christina Lehnert, Mousse Magazine

     

  • Richard Mosse

  • Richard Mosse, Nowhere to Run, South Kivu, Eastern Congo, 2010

    Richard Mosse

    Nowhere to Run, South Kivu, Eastern Congo, 2010 C-print
    101 x 129 cm
    39 3/4 x 50 3/4 in.
    Edition 2 of 5 plus 1 artist's proof
  • Si On

  • Si On, Eyewitness, 2022

    Si On

    Eyewitness, 2022 Oil and spray paint on canvas
    180 x 168 cm
    70 7/8 x 66 1/8 in
  • Jenkin van Zyl

  • Jenkin van Zyl, Sweat Exchange, 2024

    Jenkin van Zyl

    Sweat Exchange, 2024 Looping 4k video on monitor, sauna film set, peristaltic motors, silicone tubing, taps, equine heat lamps, fluid, padlocks and 2-way mirror
    06:11 min
    Edition 1 of 5 plus 2 artist's proofs
  • Jenkin van Zyl, Bunting i: Palace of Wasted Footsteps, 2023

    Jenkin van Zyl

    Bunting i: Palace of Wasted Footsteps, 2023 Brushed stainless steel, mirrored stainless steel, anodized brushed stainless steel, aluminium, holographic security stickers
    91.1 x 63.7 cm
    35 7/8 x 25 1/8 in
  • This was, literally and metaphorically, a deep dive: into van Zyl’s limitless imagination but also into the inexhaustibility of erotic subcultural fantasy, of sartorial invention, of gender possibility.

     

    Gilda Williams, Artforum

  • Farley Aguilar

  • Farley Aguilar, Aberfan Miners, 2024

    Farley Aguilar

    Aberfan Miners, 2024 Oil, oil stick, and pencil
    157.5 x 110.5 cm
    62 x 43 1/2 in
  • Oren Pinhassi

  • Oren Pinhassi, Tower of Babel, 2024

    Oren Pinhassi

    Tower of Babel, 2024 Steel, sand, burlap, polymer and rock
    243 x 53 x 43 cm
    95 5/8 x 20 7/8 x 16 7/8 in