• Art Basel Miami Beach 2024

    Booth C25
  • For Art Basel Miami Beach 2024, Edel Assanti presents new and previously unseen works by gallery artists spanning film, painting, photography, collage, and sculpture.

  • Thornton Dial

  • Thornton Dial, Struggling Picture (Mighty Few Try to Make It to the Top), 1991

    Thornton Dial

    Struggling Picture (Mighty Few Try to Make It to the Top), 1991 Carpet, enamel, Splash Zone compound, metal, and ink on wood
    182.9 x 121.9 x 5.1 cm
    72 x 48 x 2 in
  • From the complex, exuberant textures of his assemblages to the deft, fluid lines of his drawings, Dial’s facility as an artist was truly extraordinary.

     

     

    Sheena Wagstaff, The New York Times

  • Marcin Dudek

  • Marcin Dudek, Ruch, 2024

    Marcin Dudek

    Ruch, 2024 Acrylic paint, image transfer, cotton, medical tape, uv varnish on wood and aluminium
    184 x 184 cm (close)
    72 1/2 x 72 1/2 in
    184 x 370 cm (open)
    72 1/2 x 145 5/8 in
  • His installations, performances, paintings, and mixed-media works use sports fandom as a framework through which to investigate the intersections of masculinity, violence, community, and subcultural aesthetics. He uses rough-hewn or industrial materials like metal chains, nylon, and cement; still, there is a tenderness to his portrayal of the lives of his subjects.

     
     

    Orit Gat, Artforum

  • Noémie Goudal

     

  • Noémie Goudal, Supra Strata, 2024

    Noémie Goudal

    Supra Strata, 2024 Single channel HD video
    17:52 min
    Edition of 5 plus 2 artist's proofs
  • Noémie Goudal, White Pulse III, 2023

    Noémie Goudal

    White Pulse III, 2023 Inkjet print
    60 x 45.2 cm | 23 5/8 x 17 3/4 in.
    150 x 113 cm | 59 x 44 1/2 in.
    Edition of 5 plus 2 artist's proofs
  • Noémie Goudal, Les Enfers de Dante, 2023

    Noémie Goudal

    Les Enfers de Dante, 2023 Corian, steel and wood
    54 x 40 x 40 cm
    21 1/4 x 15 3/4 x 15 3/4 in
    Edition 1 of 2 artist's proofs
  • For the French artist Noémie Goudal, uncertainty and doubt are key drivers in how we engage with and understand the world. Our shifting perspectives are what really shape our encounters, more so than any solid reality.

     

    Josh Lustig, Financial Times Magazine 

  • Lonnie Holley

  • Lonnie Holley, After Assisi, 2023

    Lonnie Holley

    After Assisi, 2023 Acrylic and spray paint on canvas
    200 x 170 cm
    78 3/4 x 66 7/8 in
  • Lonnie Holley, Hung Out IV, 2024

    Lonnie Holley

    Hung Out IV, 2024 Wooden drying rack, rifle targets, and clothes pins
    153 x 88.9 x 64.8 cm
    60 1/4 x 35 x 25 1/2 in
  • Lonnie Holley, Beyond the Stone Carvers, 2023

    Lonnie Holley

    Beyond the Stone Carvers, 2023 43 x 42 x 26 cm
    16 7/8 x 16 1/2 x 10 1/4 in
  • For decades, artists such as Holley—self-taught and working at a distance from the major art centers (and, until fairly recently, outside the mainstream gallery system)—have largely been sidelined or ignored. Yet the neglect of these works belies their quiet power.

    Daniel Culpan, Artforum

  • Gordon Cheung

  • Gordon Cheung, Gateway to the Pillars of the Sky (Chongqing), 2024

    Gordon Cheung

    Gateway to the Pillars of the Sky (Chongqing), 2024 Financial Times newspaper, archival inkjet, acrylic, and sand on linen
    200 x 150 cm
    78 3/4 x 59 in
  • Gordon Cheung, Apricot Blossom Spring Villa (Hangzhou), 2024

    Gordon Cheung

    Apricot Blossom Spring Villa (Hangzhou), 2024 150 x 200 cm
    59 x 78 3/4 in
  • They are about the rise and fall of civilisations, as well as the romantic language of still-life painting: futile materialism and fragile mortality reflected by the transient beauty of flowers.

     

    Gordon Cheung, Artist 

  • Si On

  • Si On, Eyewitness, 2022

    Si On

    Eyewitness, 2022 Oil and spray paint on canvas
    180 x 168 cm
    70 7/8 x 66 1/8 in
  • Often using pop culture references, her paintings are a celebration of her Asian heritage, in particular Korean shamanism, which has left a strong imprint on her paintings and what they depict.

     

    Maria Markiewicz, Contemporary Lynx.

  • Simon Lehner

  • Simon Lehner, Image Basterds XII, 2024

    Simon Lehner

    Image Basterds XII, 2024 Acrylic on unique wood plate lens-based CNC Painting
    90 x 72 cm
    35 3/8 x 28 3/8 in
  • By employing his own private photo archive again and again, Lehner’s works create a strong and simultaneously sensitive tension between technical and cognitive processes, and the deeply personal struggle of grasping one’s own past.

     

    Christina Lehnert, Mousse Magazine

     

  • Sheida Soleimani

  • Sheida Soleimani, Panacea, 2024

    Sheida Soleimani

    Panacea, 2024 Archival pigment print
    152.4 x 111.8 cm
    60 x 44 in
    Edition of 3 plus 2 artist's proofs
  • Soleimani interrogates the narratives disseminated by the press and social media in a practice that fuses sculpture, performance, and photography.

     

    Tessa Solomon, Art in America

  • Jenkin van Zyl

  • Jenkin van Zyl, Bunting i: Palace of Wasted Footsteps, 2023

    Jenkin van Zyl

    Bunting i: Palace of Wasted Footsteps, 2023 Brushed stainless steel, mirrored stainless steel, anodized brushed stainless steel, aluminium, holographic security stickers
    91.1 x 63.7 cm
    35 7/8 x 25 1/8 in
  • This was, literally and metaphorically, a deep dive: into van Zyl’s limitless imagination but also into the inexhaustibility of erotic subcultural fantasy, of sartorial invention, of gender possibility.

     

    Gilda Williams, Artforum

  • Oren Pinhassi

  • Oren Pinhassi, Whole Hole Hole Whole, 2024

    Oren Pinhassi

    Whole Hole Hole Whole, 2024 Bronze, steel and rock
    259 x 73.5 x 53 cm
    102 x 29 x 20 7/8 in
    Edition of 3 plus 2 artist's proofs
  • His anthropomorphic works, often standing up to eight feet in height, examine individual vulnerability and fluidity within the built environment, probing new possibilities for coexistence. 

     

    Keshav Anand, Something Curated

  • Farley Aguilar

  • Farley Aguilar, Bad Blood, 2024

    Farley Aguilar

    Bad Blood, 2024 Oil, oil stick, and pencil
    142.2 x 152.4 cm
    56 x 60 in
  • His work brings forgotten histories to the forefront, intertwining past narratives with contemporary concerns such as environmental degradation, societal decline, and how the prioritization of profit affects the world's marginalized communities.

     

    Michelle Tonta, Whitewalls

  • Victoria Lomasko

  • Victoria Lomasko, Frozen Poetry: Under Water, 2021

    Victoria Lomasko

    Frozen Poetry: Under Water, 2021 Watercolour, acrylic, pen and ink on paper
    41.5 x 59 cm
    16 3/8 x 23 1/4 in.
  • Lomasko takes a curious and empathetic look at regions that neither Europe nor Russia care much about, and speaks to those in those countries who otherwise hardly have a voice. It's worth listening to them.

     

    Eric Wenk, Tagesspiegel