-
Art Basel Miami Beach 2024
Booth C25 -
For Art Basel Miami Beach 2024, Edel Assanti presents new and previously unseen works by gallery artists spanning film, painting, photography, collage, and sculpture.
-
Thornton Dial
-
From the complex, exuberant textures of his assemblages to the deft, fluid lines of his drawings, Dial’s facility as an artist was truly extraordinary.
Sheena Wagstaff, The New York Times
-
Marcin Dudek
-
His installations, performances, paintings, and mixed-media works use sports fandom as a framework through which to investigate the intersections of masculinity, violence, community, and subcultural aesthetics. He uses rough-hewn or industrial materials like metal chains, nylon, and cement; still, there is a tenderness to his portrayal of the lives of his subjects.
Orit Gat, Artforum
-
Noémie Goudal
-
For the French artist Noémie Goudal, uncertainty and doubt are key drivers in how we engage with and understand the world. Our shifting perspectives are what really shape our encounters, more so than any solid reality.
Josh Lustig, Financial Times Magazine
-
Lonnie Holley
-
For decades, artists such as Holley—self-taught and working at a distance from the major art centers (and, until fairly recently, outside the mainstream gallery system)—have largely been sidelined or ignored. Yet the neglect of these works belies their quiet power.
Daniel Culpan, Artforum
-
Gordon Cheung
-
They are about the rise and fall of civilisations, as well as the romantic language of still-life painting: futile materialism and fragile mortality reflected by the transient beauty of flowers.
Gordon Cheung, Artist
-
Si On
-
Often using pop culture references, her paintings are a celebration of her Asian heritage, in particular Korean shamanism, which has left a strong imprint on her paintings and what they depict.
Maria Markiewicz, Contemporary Lynx.
-
Simon Lehner
-
By employing his own private photo archive again and again, Lehner’s works create a strong and simultaneously sensitive tension between technical and cognitive processes, and the deeply personal struggle of grasping one’s own past.
Christina Lehnert, Mousse Magazine
-
Sheida Soleimani
-
Soleimani interrogates the narratives disseminated by the press and social media in a practice that fuses sculpture, performance, and photography.
Tessa Solomon, Art in America
-
Jenkin van Zyl
-
This was, literally and metaphorically, a deep dive: into van Zyl’s limitless imagination but also into the inexhaustibility of erotic subcultural fantasy, of sartorial invention, of gender possibility.
Gilda Williams, Artforum
-
Oren Pinhassi
-
His anthropomorphic works, often standing up to eight feet in height, examine individual vulnerability and fluidity within the built environment, probing new possibilities for coexistence.
Keshav Anand, Something Curated
-
Farley Aguilar
-
His work brings forgotten histories to the forefront, intertwining past narratives with contemporary concerns such as environmental degradation, societal decline, and how the prioritization of profit affects the world's marginalized communities.
Michelle Tonta, Whitewalls
-
Victoria Lomasko
-
Lomasko takes a curious and empathetic look at regions that neither Europe nor Russia care much about, and speaks to those in those countries who otherwise hardly have a voice. It's worth listening to them.
Eric Wenk, Tagesspiegel