Vinca Petersen: Raves and Riots
To me, the same thing sometimes happens on a demonstration as in an illegal rave. They’re both slightly edgy gatherings… you get a sense of the normal world being suspended, and you experience these brief, totally free moments.
- Vinca Petersen
Edel Assanti is pleased to present Vinca Petersen’s first solo exhibition at the gallery, Raves and Riots. The exhibition will take place at Edel Assanti’s interim Fitzrovia space at 46 Mortimer Street, opening to coincide with the first edition of London Gallery Weekend (4-6 June), a new peer-led initiative originated by Edel Assanti in collaboration with a community of London galleries.
Raves and Riots brings together a collection of seminal diaristic photographs drawn from a period spanning 1990-2004, documenting the artist’s experiences as part of the free party and traveller community. The images juxtapose the sense of escapism and euphoria of this unique cultural moment with the oppressive political climate which outlawed the lifestyles of those responsible for Britain’s rave scene.
Leaving home aged seventeen, Petersen moved to a London squat and quickly became immersed in the free party scene that exploded across Europe in the 1990s. She began taking photographs as a means of recording experiences of a subversive new way of living as part of a community of travellers and close friends.
The free party wave enraptured Britain’s young generation following the explosion of rave, techno and ecstasy in 1989, when crowds of up to twenty-five thousand gathered in countryside locations for illegal all-night parties. Whilst the movement was born of music and hedonism, it quickly became a vehicle for civil disobedience and defiance of authority, as portrayed in images of Petersen and her friends attending protests contesting the political backlash against their way of living. The 1994 Criminal Justice Bill created a hostile environment for the squatters, travellers and rave organisers that made up the artist’s immediate social circle. In response, Petersen and those closest to her adopted a nomadic lifestyle, transporting powerful sound systems across Europe in truck convoys, setting up parties in countryside locations on the outskirts of urban areas. Petersen remained on the road until a few months before the birth of her son in 2005.
Despite the movement’s iconic significance, photographic documentation of the rave scene is sparse, as the community was wary of outsiders taking pictures for fear of legal repercussions, so cameras were routinely confiscated at parties. Petersen’s photographs do not merely document a movement, but acquaint us with a cast of personalities and narratives that expose the precarious existence embraced by her community in order to preserve a distinctive sense of freedom and expression. Working with inconspicuous cameras, Petersen’s insider’s perspective is at times contemplative and unflinching, and elsewhere frenetic, glimpsing the spontaneity of moments in which the artist barely looks through the viewfinder before clicking the shutter. Whether through empathetic personal proximity to her subjects or atmospheric immersion in each scene, Petersen’s implied presence and participation in the world she depicts is an underlying constant.
The selection of images in Raves and Riots transcend the euphoria of transitory moments that characterised the era, encompassing the ambition, relationships and struggles of an aspirational community fostering an existence beyond traditional systems of organisation, control and hierarchy.
For London Gallery Weekend’s central London focus day on Friday 4th June, Vinca Petersen will be signing copies of her acclaimed monograph, No System, at the gallery between 3-6pm. The publication chronicles a ten year period of trans-European travel and nomadic life on the road.
As well as archiving thousands of photographic images, Petersen has attempted to document a way of life: its flyers, posters and clothes; her work constitutes an archive that records the techno-fuelled raves and lives of the travellers who organised them, but also a creative response to breaking barriers between individuals. Petersen’s work has been exhibited at Tate Modern, Turner Contemporary and the Victoria and Albert Museum, Dundee, and her work is also held in the collection of the Victoria and Albert Museum. From 2021-22, Petersen will have a series of institutional exhibitions at the Martin Parr Foundation, Bristol; Northern Gallery of Contemporary Art, Sunderland; Victoria and Albert Museum, Dundee; Newlyn Art Gallery & Exchange, Penzance; Grundy Art Gallery, Blackpool. Petersen lives in Ramsgate, UK.
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Vinca Petersen, Girl and Rig, Rotterdam, 1996
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Vinca Petersen, Milan, New Year's Eve, 1997
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Vinca Petersen, Convoy, 1996
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Vinca Petersen, Fly Agaric, 1996
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Vinca Petersen, Lone Raver, 1997
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Vinca Petersen, Pink Girl and Riot Cops, 2000
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Vinca Petersen, Pink guitar, 1994
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Vinca Petersen, Riot Boy, 1998
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Vinca Petersen, Riot Cop Kiss, 1997
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Vinca Petersen, Riot Girl, 1998
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Vinca Petersen, River Conversation, 1994
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Vinca Petersen, Speaker Man, 1996
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Vinca Petersen, Warehouse Rave, France, 2001
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Vinca Petersen, Where Next?, 1997
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Vinca Petersen, Sleeper II, 2001
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Vinca Petersen in DJ Magazine
'8 photobooks that capture electronic music's vibrant history' by Charlie Bird 24 August 202124 August 2021 Electronic music's subcultures have been documented by a host of photographers and archivists in the last four decades, and some excellent photobooks...Read more -
Vinca Petersen in Then there was us
'Vinca Petersen’s monumental solo exhibition 'Raves and Riots' is currently being shown at Edel Assanti' by Jonathan Tomlinson 9 August 202109 August 2021 Raves and Riots brings together a collection of seminal diaristic photographs drawn from a period spanning 1990-2004, documenting the artist’s experiences...Read more
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Vinca Petersen in Mixmag
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Vinca Petersen in DJ Magazine
'This new photo exhibition captures the euphoria of the '90s free party movement' by Simon Doherty 16 June 202116 June 2021 “I left home at 17 and moved into a squat in London,” Vinca Petersen tells DJ Mag during a private view of...Read more
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Vinca Petersen in AnOther magazine
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Vinca Petersen in El País
'The eternal photogenicy of rebellious youth' by Gloria Crespo Maclennan 12 June 202112 June 2021 During the eighties and nineties, photographers Jim Goldberg and Vinca Petersen became cult authors through two books that reflected the lives of...Read more
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Vinca Petersen in FAD Magazine
'London Gallery Weekend' by Paul Carey-Kent 9 June 202109 June 2021 The first London Gallery Weekend (4-6 June) felt a very positive initiative, conveniently revealing the scale of London’s commercial art scene to...Read more -
Vinca Petersen in FAD Magazine
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Vinca Petersen in Evening Standard
'London Gallery Weekend - highlights from the celebration of the city’s galleries' by Nancy Durrant 3 June 202103 June 2021 How have we never had one of these before? Hurrah - our museums and galleries are now open to the public -...Read more -
Vinca Petersen in Time Out
'Almost every gallery in London is opening for a massive party this weekend' by Eddy Frankel 1 June 202101 June 2021 It's called London Gallery Weekend, it does what it says on the tin, mate. Vinca Petersen, Raves and Riots, installation view,...Read more
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Vinca Petersen in the Financial Times
'London Gallery Weekend — cultural collaboration' by Melanie Gerlis 28 May 202128 May 2021 More than 130 galleries will open their doors with a community spirit that is a silver lining of the pandemic. For the...Read more -
Vinca Petersen in The Art Newspaper
'Best shows for... photography fans' by Tom Seymour 20 May 202120 May 2021 Zoom in on these exhibitions by some of today's most revered artists, underrated historical figures and chroniclers of contemporary culture. Vinca Petersen,...Read more