Gordon Cheung: Tears of Paradise
Private View | Thursday 16 January, 6-8pm
Edel Assanti is pleased to present Gordon Cheung’s fourth solo show with the gallery, Tears of Paradise. This exhibition is the latest in a series in which Cheung witnesses and interprets the emergence of China as a twenty first century global superpower, framing current events in the context of the Century of Humiliation and the Opium Wars.
Five paintings in Tears of Paradise depict aerial perspectives of real and part prophetic landscapes, each relating to specific sites in China that collectively comprise the largest infrastructural project in human history. The sprawling cityscapes are rendered from satellite imagery, built up as reliefs on the canvas in hardened sand and pigment. The scenes’ relationship with reality is destabilized by the overall compositions, which feature floating cities below glimmering constellations that mark out future geopolitical maps, such as the “One Belt One Road” trade route.
Science fiction narrative and aesthetics have always been a cornerstone of Cheung’s practice – here they are employed to explore the intersections of old and new architecture in China’s futuristic cities, which are composed of layered expressions of history and civilisation, forming a feedback loop that continually defines identities. These worlds are overlooked by backdrops of wistful mountains, layered in sprayed acrylic paint, inspired by the dynastic classical landscape paintings hanging in the Great Hall of the People.
The works map the administration’s planned consolidation of some of the worlds’ largest cities into several inconceivably large megalopolises. In one work, the cities of Beijing, Tianjin and Hebei float like drifting islands, inviting contemplation of the future city of “Jing-Jin-Ji” – with a population of 100 million residents in an area larger than Britain. In another we see the Pearl River Delta Region, encompassing nine prefectures whose planned combination will total 120 million inhabitants. The paintings are traversed by unfathomable infrastructural endeavours – such as the building of 700 miles of high speed rail, or the 50km bridges being outlaid across the country. Cheung appropriates images of these projects from online news sources, rendering them as inkjet prints on the newspaper that forms the backdrop to the works. These sites are depicted in a state of flux – pieces in a monumental puzzle of centralised state planning designed to bolster and sustain the Chinese economic miracle.
Cheung’s paintings blend real and foreseen events to articulate the speed and complexity of change, constantly weighing human costs. Suspended in the middle of the gallery is a monumental sculptural installation, entitled Home. Made from financial newspaper and bamboo, Cheung’s window installation refers to homes in China with traditional window designs that were demolished for rapid urbanisation. The sculpture hovers between states of being, suggesting a ghost architecture that would have supported the windows. The visitor is pulled back down to ground level from the god-like, macro perspective of the paintings. The windows act as a demarcation between the march of unstoppable progress, and the framework of identity, history and culture that define the individual; in Tears of Paradise, we are left pondering the greatest paradigm shift the world has ever seen from each point of view.
Cheung graduated from Central Saint Martins in 1998, completing an MA at the Royal College of Art in 2001. Solo exhibitions include Home at Galerie Huit, Hong Kong, 2018; New Order Vanitas at Ann Norton Sculpture Gardens, USA, 2017; Gordon Cheung at The Whitaker, UK, 2017; Here be Dragons at Nottingham Castle Museum (2016); Lines in the Sand at Leila Heller Gallery Dubai (2016); Altered States at the Arizona State University Art Museum (2010), The Four Horsemen of the Apocalypse at the New Art Gallery Walsall (2009); The Promised Land at Jack Shainman Gallery (2009). Cheung’s work features in numerous public collections worldwide, including Asian Art Museum of San Francisco, The British Museum, The Hirshhorn Museum and Sculpture Garden, Hood Museum of Art, Minneapolis Institute of Art, The Museum of Modern Art, San Antonio Museum of Art, Speed Art Museum, The Whitworth Art Gallery, Arizona State University Art Museum and The Yale Center for British Art. Cheung lives and works in London.
Gordon Cheung in conversation with Mark Rappolt19 February 2020Wednesday 19 February | Gordon Cheung spoke with Mark Rappolt on the occaision of Cheung's exhibition Tears of Paradise. Gordon Cheung was in conversation with Mark Rappolt, editor-in-chief of ArtReview, on the occasion of his fourth exhibition at Edel Assanti, Tears of Paradise. Their discussion was focused on ideas raised in the Cheung's work in which he witnesses and interprets the emergence of China as a twenty first century global superpower, framing current events in the context of the Century of Humiliation and the Opium Wars. Cheung graduated from Central...Read more
Gordon Cheung in Artomity 藝源'Gordon Cheung' by Margot Mottaz01 May 2020 Geopolitics. If a single word summarises the theme of Gordon Cheung’s latest series of works (all 2020) on display at Edel Assanti...Read more
Gordon Cheung in ArtReview Asia'Myth, Belt, Road and the Sublime' by Mark Rappolt03 April 2020 British artist Gordon Cheung’s paintings and sculptures dissect the imagery of a globalised world. Drawing on disparate landscape traditions, as well as...Read more
Gordon Cheung in FAD Magazine'The Top 5 Art Exhibitions to see in Mayfair and Fitzrovia' by Tabish Khan24 February 2020 Merging cities, dammed rivers and the imprisonment of the Uighur community. China is a country growing and changing fast. This transformation as...Read more
Gordon Cheung in Artforum'Critics' Pick: Gordon Cheung 'Tears of Paradise'' by Daniel Culpan11 February 2020 “Tears of Paradise” traces the fault lines of China’s cracked map of utopia. (Note the ambiguous title: rupture as cause for trauma...Read more
Gordon Cheung in the Londonist'Thirteen Exhibitions that will Blow You Away Right Now' by Tabish Khan03 February 2020 Three cities are about to merge to form a megacity of over 110 million people — this isn't some sci-fi dystopia, it's...Read more
Gordon Cheung in Time Out'Gordon Cheung: Tears of Paradise review' by Rosemary Waugh23 January 2020 Gordon Cheung’s landscapes are vast. Massive craggy mountains dominate the skyline, mega cities consume the plains, great swathes of ocean bite into...Read more